Recreation in the Mughal period
Details
Artform
Miniature Painting, Rajasthan
Artist
Riyaz Uddin
Dimensions
9 x 11 Inches
Medium
Natural Stone Pigments on Cotton Cloth
Framing
Unframed
Learn More
The Painting
"Mughal miniature portraits were exercises in grandeur and meticulous detail. Emperors, adorned in dazzling jewels and rich fabrics, were depicted with both majesty and a touch of humanity. Artists employed fine brushes to capture intricate patterns on clothing and the glint of gemstones with precision. In this work Riyaz Uddin has depicted a finely dressed man relaxing against a tree while his faithful hound stands at the ready. Gestures are of great importance in this art style and are carefully chosen, a raised hand symbolizing power while a contemplative gaze offers a glimpse into the subject's inner world. The inclusion of the hound also implies the raised stature of the subject as very few would have access to such creatures during the time period and as they were often used for hunting, a common pastime for royalty. "
The Artform
In the world of Mughal miniatures, portraits weren't just likenesses; they were carefully crafted narratives. Emperors, adorned in rich fabrics and jewels, were depicted with both majesty and grace. Artists employed meticulous detail, rendering intricate patterns on clothing and capturing the glint of jewels with precision. Gestures were carefully chosen, a raised hand signifying command while a thoughtful gaze might suggest contemplation. These weren't just portraits; they were visual narratives, portraying the emperors as ideal rulers and solidifying their position at the heart of the Mughal empire.
The Artist
"Born and raised in the pink city of Rajasthan, Jaipur, Riyazuddin started painting at the age of fourteen having been influenced by his father Abdul Shakoor. During his early years Riyazuddin was surrounded by architecture, and influenced by centuries of history, seeing colors which were made from natural stones and antique knowledge passed on by his father. So it is of no surprise that influence undeniably found its way in his work. Being trained under the watchful eye of his father, he grew an inclination towards the Indian school of paintings, specifically the Rajput Painting school under which he got more inclined towards the Pahari Paintings, the influence of which is visible in each brushstroke. In 1988 he started his own studio, converting western paintings of Tarot cards to Indian miniature in 1993. Which gave birth to a style which was completely juxtaposed to his earlier style of work but without any hesitation he went on to incorporate a new surreal element that has become a signature element in his work. "
Provenance
The painting has been created by Bridge Bharat’s master artist partners.
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Other details
"The price you see is for an unframed painting. If you want us to custom frame the artwork, please drop us a message. We highly encourage this, framing is an art by itself :) The artwork you will receive is as close to the original artwork as possible but as with all things handmade, there may be minute differences in color and motifs, truly rendering each artwork one of a kind. Trust the process! "