Maharaja Man Singh of Jodhpur
Details
Artform
Miniature Painting, Rajasthan
Artist
Riyaz Uddin
Dimensions
14 x 18 Inches
Medium
Natural Stone Pigments on Cotton Cloth
Framing
Unframed
Learn More
The Painting
"In this beautiful example of Mughal miniature painting Riyaz Uddin has depicted a stunning royal court scene presided over by Maharaja Man Singh, who was well known for being the last monarch of an independent Jodhpur state. Flourishing in 18th-century Jaipur, the Jaipur style of miniature painting emerged from a blend of Mughal and indigenous influences. Known for its vibrant colors, bold compositions, and intricate details, it often depicted scenes from Hindu mythology, courtly life, and hunting expeditions. This is reflected in the use of vibrant reds and yellows to denote ornate luxury as well as the halos that often were used to give reverence to important figures in these compositions. "
The Artform
"Rajasthani painting, an exquisite style of miniature art, blossomed primarily within the independent Hindu realms of Rajasthan in western India during the span of the 16th to 19th centuries. Rooted in Western Indian manuscript illustrations, this art form underwent a transformative journey, influenced by the Mughal aesthetic in its later stages of development. Distinguished by its distinct attributes, Rajasthani painting stands apart from Mughal painting—both from the imperial studios in Delhi and the provincial courts. It boldly embraces vibrant hues, along with an abstract and stylized portrayal of the human form, complemented by ornate renditions of landscapes. Reflecting the burgeoning wave of devotional fervor within Hinduism, these miniatures predominantly narrate the enchanting tales of Lord Krishna, and his beloved companion, Radha. While also incorporating scenes from India's epic narratives, musical modes (Ragamalas), and depictions of heroines (Nayikas), the 18th century introduced courtly portraits, court scenarios, and hunting scenes into the repertoire. Distinct schools have emerged based on style, including Mewar, Bundi (and its adjacent Kotah), Kishangarh, Bikaner, Jaipur, and Marwar, and even extending beyond the boundaries of Rajasthan to encompass Malwa painting, also known as Central Indian painting. "
The Artist
"Born and raised in the pink city of Rajasthan, Jaipur, Riyazuddin started painting at the age of fourteen having been influenced by his father Abdul Shakoor. During his early years Riyazuddin was surrounded by architecture, and influenced by centuries of history, seeing colors which were made from natural stones and antique knowledge passed on by his father. So it is of no surprise that influence undeniably found its way in his work. Being trained under the watchful eye of his father, he grew an inclination towards the Indian school of paintings, specifically the Rajput Painting school under which he got more inclined towards the Pahari Paintings, the influence of which is visible in each brushstroke. In 1988 he started his own studio, converting western paintings of Tarot cards to Indian miniature in 1993. Which gave birth to a style which was completely juxtaposed to his earlier style of work but without any hesitation he went on to incorporate a new surreal element that has become a signature element in his work. "
Provenance
The painting has been created by Bridge Bharat’s master artist partners.
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Other details
"The price you see is for an unframed painting. If you want us to custom frame the artwork, please drop us a message. We highly encourage this, framing is an art by itself :) The artwork you will receive is as close to the original artwork as possible but as with all things handmade, there may be minute differences in color and motifs, truly rendering each artwork one of a kind. Trust the process! "