Nathdwara Haweli
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Details
Artform
Pichwai, Rajasthan
Artist
Sushil Soni
Dimensions
48x72 Inches
Medium
Natural Pigment Colors on Cloth
Framing
Unframed
Learn More
The Painting
This painting is an early work made by the master Pichwai artist Dinesh Soni; represents the topography of the Shrinathjis haveli in Nathdwara. There are no temples in the Pushtimarg: the word mandir, which is now used to denote the Hindu Temple, is seldom used. To devotees of the sect, Shrinathji is not a mere image but a living deity, and the place where he resides must therefore be a mansion, or a haveli. A haveli is virtually a royal palace, inspired by Krishnas childhood home in Vraj and closely modeled on the traditional homes of the merchant princes of Rajasthan. This map of the haveli at Nathdwara suggests that the complex sprawls over a large expanse of land. Asymenterial and many-storied, it is a labyrinth within which unwary visitors can easily lose themselves. It has countless rooms linked by passages and small corridors, verandas, indoor gardens, pools, halls, courtyards, kitchens, and storerooms, and includes the shrines of several of the svarups of the sect. The archictecture itself is a combination of stone and brick embellished not only with alcoves, arches, balconies, niches, pillars, and stairways, but also with the multipatterned, multihued floors of stone and marble that is typical of Rajput architecture. Adjacent to the temple complex is the tilkayats palace, which is known as the Moti Mahal. He has used natural pigments on cotton cloth to create a scene from the company era where troops stand as guards to the haveli.
The Artform
"Pichwai Art originated during the 17th century in the Nathdwara temple of Rajasthan, situated in the town within the Udaipur district. The art form is dedicated to adorning the shrine of Lord Shrinath at Nathdwara. The term ""Pichwai"" finds its roots in the Sanskrit words ""pich"" (meaning ""behind"") and ""wai"" (meaning ""hanging""). It refers to the intricately designed cloth that serves as the backdrop for the revered idol of Shrinathji within the shrine. With a tradition spanning over four centuries, Pichwai art predominantly revolves around portraying the enchanting tales of Shrinathji, the divine child incarnation of Lord Krishna, and his diverse manifestations. The artistic representations vividly capture Shrinathji's iconography, often intertwined with other significant figures like Radha, Gopis, cows, lotuses, and peacocks. Through meticulous craftsmanship, this art form aims to convey a comprehensive portrayal of the divine image of Shrinathji, evoking a sense of holistic reverence."
The Artist
Sushil Soni is a distinguished Pichwai artist from Rajasthan, known for his mastery in the traditional temple art associated with Shrinathji of Nathdwara. Trained in classical techniques, he creates intricate compositions featuring devotional themes, lotus motifs, cows, and scenes from Krishnas life. His work reflects fine detailing, rich natural colors, and a deep understanding of iconography rooted in centuries-old practice. Through exhibitions and contemporary adaptations, Sushil Soni continues to preserve and promote the sacred heritage of Pichwai painting for modern audiences.
Provenance
"The painting has been created by Bridge Bharats master artist partners. "
Customizations
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Returns and refunds
Returns are not applicable on made-to-order products. We guarantee a replacement of your product in case of any damages.
Shipping and Delivery
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Other details
"The price you see is for an unframed painting. If you want us to custom frame the artwork, please drop us a message. We highly encourage this, framing is an art by itself :) The artwork you will receive is as close to the original artwork as possible but as with all things handmade, there may be minute differences in color and motifs, truly rendering each artwork one of a kind. Trust the process! "
